The initial question that will serve as the basis for this literary analysis asks how violence is represented in these two works created in different centuries.
This work is from the eighteenth century and presents four engravings devoted to the life of a fictional character who gradually becomes a criminal. To better understand the range of means that help an artist illuminate a written story through producing detailed images, this paper aims to compare and contrast From Hell with another work by William Hogarth, The Four Stages of Cruelty. The book was written by Alan Moore, and the illustrations were drawn by his colleague, Eddie Campbell. In the proposed paper, I plan to analyze the means used for the representation of violence in one of the famous graphic novels of the twentieth century – From Hell.
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